~~~niantar~~~
  • Home
  • NEWS VIEWS AND HOW TO USE
    • WHO THE HECK IS NIANTAR?
    • 2022 Resolutions for Me
    • PAINTING OF THE WEEK >
      • Some secrets about the paintings.
  • Poems
    • SAYING OF THE WEEK
    • POEMS AND STORIES 1 >
      • Page 1
      • Page 2
      • Page 3
      • Page 4
      • Page 5
      • Page 6
      • Page 7
      • Page 8
      • Page 9
      • Page 10
    • POEMS AND STORIES 2 >
      • Page 11
      • Page 12
      • Page 13
      • Page 14
      • Page 15
      • Page 16
      • Page 17
      • Page 18
      • Page 19
      • Page 20
    • POEMS AND STORIES 3 >
      • Page 21
      • Page 22
      • Page 23
      • Page 24
      • Page 25
      • Page 26
      • Page 27
      • Page 28
      • Page 29
      • Page 30
    • POEMS AND STORIES 4 >
      • Page 31
      • Page 32
      • Page 33
      • Page 34
      • Page 35
      • Page 36
      • Page 37
      • Page 38
      • Page 39
      • Page 40
    • Poems and Stories 5 >
      • Page 41
      • Page 42
      • Page 43
      • Page 44
      • Page 45
      • Page 46
      • Page 47
      • Page 48
      • Page 49
      • Page 50
    • Poems and Stories 6 >
      • Page 51
      • Page 52
      • Page 53
      • Page 54
      • Page 55
      • Page 56
      • Page 57
      • Page 58
      • PAGE 59
      • Page 60
    • POEMS AND STORIES 7 >
      • Page 61
      • Page 62
      • Page 63
      • Page 64
      • Poem 65
      • Poem 66
      • Poem 67
      • Poem 68
      • Poem 69
      • Page 70
    • POEMS AND STORIES 8 >
      • Poem 71
      • Poem 72
      • Poem 73
      • Poem 74
      • Page 75
      • Page 76
      • PAGE 77
      • POEM 78
      • PAGE 79
      • PAGE 80
    • POEMS AND STORIES 9 >
      • POEM 81
      • PAGE 82
      • PAGE 83
      • PAGE 84
      • PAGE 85
      • PAGE 86
      • PAGE 87
      • PAGE 88
      • PAGE 89
      • POEM 90
    • POEMS AND STORIES 10 >
      • POEM 91
      • POEM 92
    • GUEST POETRY >
      • Group Poem 1
      • Group Poem 2
  • Paintings
    • PAINTINGS 1 >
      • Camping with the Craigs
      • Starry Night
      • Space
      • Night Wave
      • Howard's Birthday
      • NO NAME NUMBER 3
      • Woman of the Sea Wizard
      • Isthmus
      • PV Canyon
      • Ohana
      • AVE B MOONLIGHT
      • Rabbit by the Sea
      • Father Daughter
    • Paintings Two >
      • Panther
      • Home Rock
      • Picasso Man
      • Andre's Walk
      • Alaska Alone
      • BLUE MOON
      • No title 1
      • No Title #2
      • Fight or Flight
    • PAINTINGS 3 >
      • Black Lives Matter
      • Grey Night
      • Paula
      • Home of the hat.
      • SUE FREED
      • Home of the Sparrow Hawk
      • Night of Flesh
      • Shuttle
      • Family of Birds
      • Catalina Field
      • Susan and Time
      • AVE B
      • Camping with the Craigs 2
      • Tripping in Seattle
    • PATTERN DRAWINGS >
      • Four Fathers
      • Esplenade
      • The Cave
      • Schweinfurt
      • No Name Number 4
      • The Wall
      • NO NAME #5
      • ME
      • Old Man
      • First Elephants
      • 2or3 Elephants?
      • Canyon
      • Pink Elephant
      • WOMEN
      • Bridge of Tomorrow
    • PATTERN COMPUTER >
      • POWER NIGHT
      • PSYCHEDLIC EDGE
      • Pattern FIsh
      • March of the Nuns
    • Hawaii Series >
      • Storm
      • Pete's City
      • Hawaii Cross Road
      • UPCOUNTRY
      • Hawaii Abstract
      • Down Country
      • KAUI POWERSPOT
      • HAWAIIAN WIND
    • Black and White >
      • Colorado Starry Night
      • Jackie
      • The Junction
      • FIRST SKETCH
      • MoonWitch
      • Fifty
    • Doodles 1 >
      • ROADS
      • ANGLE HEAD
      • BLUSTERY DAY
      • BRIDGE DOODLE
      • CLOUD DOODLE
      • DAY DREAM DOODLE
      • DESERT DOODLE
      • Doodle 99
      • DOODLE 107
      • DOODLE 133
      • I AM THE WIND
      • MAUI DOODLE
      • LIGHT HOUSE DOODLE
    • DOODLES 2 >
      • Road Rage
      • SNAKE DOODLE
      • SAMARRA DOODLE
      • OWL AND RABBIT
      • Hawaiian Fisherman
      • RAVEN
      • Dancing Woman
      • S Turns
      • DOODLE 3/2023
      • TC
    • Computer Drawings >
      • Hawaii Computer >
        • MOTHER PELE
        • HAWAIAN WOMAN
        • Ohana (Man, Woman, Child)
        • MOON LAVA
        • AINA (THE LIVING LAND)
        • ISLAND OCEAN NIGHT WIND
      • Colorado Computer >
        • Red Dirt Road Colorado
        • MOUNTAIN NIGHT
        • Colorado Windy Day
        • SHADOW OF COVID COLORADO
        • COLORADO DAY
        • DAWN
        • Colorado Spring
        • ICY COLORADO NIGHT
      • Computer Misc >
        • High Desert Drive
        • Grey Sky
        • Land of Yes
        • Northern Lights
        • New Mexico Twilight
        • THE CROSS
        • TC VIEW STINK BUG
        • ABSTRACT 1
        • Line Drawing Abstract\\
        • NIGHT ABSTRACT
        • GENERIC MAN
        • The Parting (Therapy Art)
        • TurnAgain Arm Abstract
    • CARTOONS >
      • Soldier Xmas
      • SHADOWS 1
      • SHADOWS 2
    • Group Drawings >
      • Prez Push Drawing
      • Death going to work.
      • Group3D
      • Group3D2
      • 3 BROS
    • Guest Drawings >
      • ELI ABSTRACT 1
      • Cristell by Echo
      • Cristell Drawing 1
  • Papers, Essays, Lessons
    • PHILOSOPHY MISC >
      • Logic >
        • Aristotle Logic 1
        • Knowing and Acceptance
      • Philosophy Flow Chart
      • Anatomy of an Argument
      • Existentialism - Authenticity
      • George W. BUSH: DECLARING WAR ON AN IDEA
      • X-PHI
      • EXPHI INTENT
    • ETHICS AND LOGIC >
      • Critical Thought
      • Very Inductive Doctor
      • Hedonism vs Egoism
    • EASTERN PHILOSOPHY >
      • Kongzi (Confusius) and Nietsche
      • DAOISM
      • Mengzi
      • MOZI (Ancient Chinese Philosopher)
    • WESTERN PHILOSOPHERS >
      • ANAXIMANDER
      • Heraclitus
      • PLATO
      • BERKELY
      • Hegel
      • Heidegger
      • KING AND GILLIGAN
      • Sartre
      • Sartre and de Beauvoir
      • McLaughlin Part I
      • McLaughlin Part II
      • MacIntyre and Xiaorong Li
      • NIETZCHE EAGLES AND SHEEP OH MY
      • NIETZSCHE
      • MILL AND MORALES
      • NIETZSCHE HERD CHANGE
      • GRICE Rules For Commo
      • GE MOORE
    • Psychology >
      • PSYCHOLOGY TERMS >
        • HINDSIGHT BIAS
        • SCEINTIFIC METHOD
      • GREEN SEEDS OF TERROR
      • Inattentional Blindness
      • Perceptual Problems for a Universal Translator
      • Attentional Capture
      • WORKING MEMORY
      • Elderly Crisis Response
      • Terrorism: Tactic or Psychological Need
    • LEGAL STUDIES >
      • PIPE DEFECT AIU vs OMEGA
      • CHILD SUPPORT DILEMMA
      • MILITARY LAW >
        • REPRESENTATION
      • MARINE LAW >
        • BILL OF LADING VS CHARTER
      • HOSPITALITY LAW >
        • SAFE LIABILITY HOTELS
    • ENVIROMENT >
      • Knowledge and Acceptance
      • Global Warming: Ethics of a Myth
    • RELIGION >
      • From Hominid to God
      • WHO IS ON FIRST?
      • Mecca
      • MECCA
      • Mohammed saves Western Reason
      • INNER GOD MYSTICISM
    • Articles >
      • HATE TRAIN
      • Water Baby-Jack London
      • SOCIAL MEDIA 1
    • History/politics >
      • Flu Shot for America
      • CAPITOL ATTACK TIMELINE
      • Nightmare for a Nation
  • Pictures
    • Picture Of The Week
    • The Academy at Athens
    • Lanai Pics
    • MAUIPICS
    • PV Half Marathon 2011
    • GUEST PICS
  • Links
  • RV TRIP INFO

The first evidence that man could separate himself from
instinct, and thus show an awareness of his own “Self” can be found about 40,000
years ago. Homo sapiens and Neanderthal both have been given credit for this
achievement. According to Mike Marshall in an article done by New Science Life,
the first artwork ever done was a red dot about 40,800 years ago. By 37,000
years ago the drawings were of hand outlines and objects found in nature, (the
paintings are covered in calcite, a carbon mineral, and some suggest they may be
far older). (Marshall). This artwork showed that man was beginning to create a
sense of himself, and separating this self from objects he observed outside of
himself. The first objectification of nature and the world as an empiric
history.


    As
Man grew, and Neanderthal died, his abilities and artwork continued to grow,
between 40,000 years ago and 15,000 years ago man, (modern humans) had settled
in every corner of the world. By 10,000 years ago they had settled on the
Pacific Islands as well. With this great migration, artwork also grew, and
evolved. This evidence showed that man’s conceptual abilities, and his
awareness, were growing as well. (Pearson,
p63).


   Around 8000
B.C. farming communities were widespread in Asia, and soon thereafter around the
world. At around 3000 B.C. man’s first literary works began, mainly in the
Mesopotamia, and Nile River areas. Art had advanced considerably with culture,
and with it came a history of man creating God(s) and other mythical things
which were objects mixed together, but in their totality not empirically seen in
the natural world. An example would be the God Anubis, an Egyptian God who had
the head of a Jackal, and the body of a Man. Man had gone beyond describing what
was in the empiric world, and created new objects which were only in his
cognitive world.


   Taking the
animals and objects, and visions of themselves man soon populated the cosmos
with anthropomorphic God(s), and soon with the advent of Greek Civilization put
manlike characters with human emotions into the stars. Gods who behaved like
humans at first ruled the Greek Civilization, and then as leisure time for the
ruling class and their instructors grew, so did man’s education, and the
sophistication of his God(s). (Kitto, 68)


  With the advent
of early Philosophers, and especially Plato, the concept of God(s) went beyond
the image of animals and man himself, and began to become a true force of
cognition. Reason and logic replaced anthropomorphic symbols, and God(s) became
an ideal. Something which was beyond the empiric senses, and something that was
in the ideal sense, immortal. Then Plato, the church, and others took this
immortal ideal of God(s), and placed him as creator of the universe, objectified
him in the cosmos, and created the concept of the soul to reach God(s), or
utopia. With this concept using the dialectic method, Plato condemned the body
of Man, and elevated cognition, (the soul), to join God in immortality and ideal
heaven. In a History of Western Philosophy, Noble Prize Winner, Bertrand Russell
describes Plato’s ideas on immortality:


“Death says Socrates, is the separation of soul and body. Here
we come upon Plato’s dualism: between reality and appearance, ideas and sensible
objects, reason and sense perception, soul and body. These pairs are connected:
the first in each pair being superior to the second, both in reality and
goodness.” (Russell, p134)


   With the
advance of Science and Technology man soon began to question these unempirical
ideas about God(s) and heaven. As the common man grew in intelligence and
education church doctrine and ideas that could not be proven with scientific
regularity were cast aside, and so was for many, the idea of ideals and God(s).
Some like Nietzsche, declared God was dead, and men like Descartes looked inward
to perception and cognition for the creation of their own worlds. Man was faced
with a God(s) who could not be found empirically, and nature which was empirical
but gave no chance for more than life with its only possible empirical outcome,
death. As Sartre states in Existentialism Is a
Humanism
:


“In the eighteenth century, the atheism of the Philosophers
  discarded the idea of God, but not so much for the notion essence proceeds
  existence.” (Sterba, p319)


   Sartre, de
Beauvoir and other Existentialists grew up in a new era, a time of world wars,
growing political idealism, bigotry, and breaking of traditional thought.   These Existentialists would soon rock
the philosophical world with a new view of man and nature. Sartre’s view of life
and mankind was shaped by his experiences as, a teacher, a soldier, a prisoner
of war, an activist, and a scholar. He lived in many places with many cultures,
and as a result understood the common man perhaps more than his academia
teachers. (Marino, p337-339)


   Sartre took
the ideas of evolution that Darwin used to describe the evolution of species,
and used this same paradigm of thought to understand Man and God(s).  For Sartre, God(s) did not create Man;
Man created God(s). That is, as I described earlier, man existed first and as he
  evolved he created God(s). Using the idea of “Existence before Essence”, Sartre
  describes how mortality, freedom, and anxiety have caused man to create
  something to alleviate a life in nature that sub-consciously they understand is
  chaotic and mortal. (Marino, 346)


   
Sartre rejects the earlier ideas of most philosophers that the individual
man has an ideal outside of himself (a
priori
), which is a reflection of its more pure form; much like Plato’s idea
of prisoners in a cave only being able to comprehend shadows of a real object.
(Russell, p125). He states that man creates his own ideal, (essence), and
projects it out into the universe. That is, man creates the ideas that will
later shape the evolution of man’s ideal about himself and his
God(s):


“Atheistic Existentialism, which I represent, is more coherent.
It states that if God does not exist, there is at least one being in whom
existence proceeds essence, a being who exists before he can be defined by any
concept; and that this being is man, or as Heidegger says, human reality.”
(Sterba, p319)


   This has
great implications for man and the church. Man can no longer logically cry to
the heavens for help, he cannot be guaranteed a stairway to heaven, or a push
into hell. His actions are no longer to be weighed against a scale of good and
evil from a higher power. He cannot condemn others with different beliefs, for
not following his faith, myths, religion, morality, or other ideas, because
everyone is now equal under death.


   These
implications are what Sartre believes create a sub-conscious need to find value
in an individual’s life. Man must now be responsible for his own life, morality,
and actions, and this causes a great anxiety in himself. This anxiety for
Existentialism, Sartre describes as
  forlornness:


“When we speak of forlornness, a term Heidegger was fond of, we
mean only that God does not exist and that we have to face all the consequences
of this.” (Sterba, 321)


   Man no
longer has something to keep him from doing what he wishes. He no longer can
justify his actions as being a higher powers’ will. He cannot beg, cry, or pray
for help when he is in danger, or forgiveness for things he does that he is
ashamed of. He cannot kill, maim, and rape others who do not have the same
beliefs as himself as the Spanish Conquistadors did. He is responsible for all
he is, and does. This the forlornness that Sartre believes all men try to bury
inside themselves.


   So how can
man justify his actions if he no longer has a God(s)? Sartre goes back to the
evolved ideal of man, the common sense of morality that men have, the
instinctual gut feeling of what is right and wrong. Of treating others as we
would wish to be treated, to being humane.


“If values are vague, and if they are always too broad for the
concrete and specific case that we are considering, the only thing left for us
is to trust our instincts.” (Sterba, 323)


   So where do
these instincts come from? There is a new branch of philosophy called
Experimental Philosophy which shows that how a person feels about something,
creates an instinctive moral choice making decisions before cognition. To
explain this quickly we will use an example done by Dr. Joshua Greene of Harvard
University who uses the example of a man who has is standing next to a lever
that can change a trolley’s destination on a pair of
tracks:


“First, we have the switch dilemma:  A runaway
trolley is hurtling down the tracks toward five people who will be killed if it
proceeds on its present course. You can save these five people by diverting, (by
pulling a lever), the trolley onto a different set of tracks, one that has only
one person on it, but if you do this that person will be killed. Is it morally
permissible to turn the trolley and thus prevent five deaths at the cost of
one?   Most people say "Yes."




  Then we have the footbridge dilemma: 
Once again, the trolley is headed for five people. You are standing next to a
large man on a footbridge spanning the tracks. The only way to save the five
people is to push this man off the footbridge and into the path of the
trolley.  Is that morally permissible?  Most people say "No."
(Greene)


   Dr. Greene found that when these
questions were asked while the brain was being monitored in subjects; that the
areas of the brain used for processing were different. The first question showed
  activity in an area of the brain being used for reason and logic, the second
  question showed brain activity in a more emotional primitive area of the brain.
  Dr. Greene believes that we as human beings have an instinctual or biological
  set of morals that we follow in emergency situations, or even when thinking
  about them. (Harvard Magazine)


   This is what Sartre describes
also in the common man. That without the existence of God(s) or a higher power,
each man must check his instincts to do what he thinks is morally
right.


   Sartre also describes another
aspect of sub-conscious moral choices that men make. This is how a person
chooses another person to go to for advice when faced with a moral question.
Using the example of a student who must choose between enlisting to help his
country, and the moral obligation of caring for his aging mother. Sartre shows
that the person we choose for advice, is subconsciously the person that we wish
to agree with a choice we have already made:


“If
the young man chooses a priest who is resisting on collaborating, he has already
decided on the kind of advice he is going to get. Therefor, in coming to see me,
he knew the answer I was going to give him, and I only had one answer to give:
‘Your free, choose, that is invent.’” (Sterba, p324).


   Sartre believes that his student
sub-consciously chose him, because he would give him the answer he already
wished to choose. This is another aspect of man that Existentialists state
causes anxiety in man. This being the freedom to choose for
ourselves.


   Without a God(s) or a higher
power, man must live with the choices he makes. He cannot be bent to a God(s)’s
will, or justify his choices as being better than another person. If he kills
another man, it is not Satan or an evil entity who caused it, it is himself.
This responsibility that freedom poses for man, without something to pardon or
  explain his own mistakes, and/or lack of character as he lives is just too much
  for many to live comfortably with. These people look for things to justify
  their actions so they can feel better about themselves and the choices they
  make.


   So if God(s) are not real and man
is mortal, besides are gut instinctual morality, where can we look for guidance
on morality, and how we should act as men? Sartre says we must choose for
  ourselves individually, but we must choose to be the men we wish others to be.
  In effect we must lead by example, using the golden rule, Do unto others as you
  would wish them to do unto you. The Existentialists and Sartre believe we must
  step up to the plate, if you will, and take responsibility for our lives. We
  have to recognize our freedom, and accept all of our decisions as our own. We
  cannot step into myth and religion believing that someone or something else is
  directing us. We must choose to be moral, much like a painter chooses to paint.
  We are all men, and we must treat each other as men. Taking the good with the
  bad, on the road we call life. (Wartenberg, p141).


  




Personal
  Note:


   Sartre and most of the
existentialists do not believe in the existence of God. That God is not
something we can use to guide our lives. I believe empirically all that the
existentialists say, but think they have forgotten or ignored a key point. Man
was before God(s), and grew with man as he evolved. Man constantly during this
growth, put forth different versions and descriptions of God(s) and the morality
which comes with the different versions of them. For the most part he poured his
ideals of Justice, Mercy, Morality, Goodness, and Love into his concepts of
God(s). While doing this he did create an Ideal God(s). Not a God(s) who is an
object or force in nature, but an idea of man of what a God(s) of man should be.



  While we should never turn to the
absurd, or dogmatic religions, we should not toss the Ideal God away. For this
is our own conception of the best there is in ourselves or of what we can be, an
example of what we can strive for to be more moral and evolved. While we must
temper this with the knowledge that we will all die individually, it is our
ideals as men, and our Ideal God that is immortal. Thus we must be brave and
strive to live using self-created immortal ideals, the best and most moral
things we can conceive of, knowing that we will die and they will live on. As
Sartre states himself, morality should be considered the highest art of
man.







  



REFERENCES



Greene, Joshua, Referenced from:
http://www.wjh.harvard.edu/~jgreene/


Kitto, H.D.F., The
Greeks,
(1985), Penguin Books, Middlesex,
England


Marino, Gordon, Basic
Writings of Existentialism,
(2004), Modern Library, NY, NY



Marshal,
  Mike, Oldest
confirmed cave art is a single red dot
”
New Scientist Life,  
(Referenced from:
http://www.newscientist.com/article/dn21925-oldest-confirmed-cave-art-is-a-single-red-dot.html?full=true#.Uc98gzZ6e1s)


Pearson
Custom Anthropology,
Cohen
j, Crews d, Allison r, Cronk l, Wood d, Kirkpatrick-Smith s, Stewart j, (2013),
Pearson Learning Solutions, Boston, MA


Russell, Bertrand, A
History of Western Philosophy,
(1972), Simon and Schuster, NY,
NY


Saalfield, Peter, The
biology of right and wrong,
Harvard Magazine, Referenced from:
http://harvardmagazine.com/2012/01/the-biology-of-right-and-wrong


           
Wartenberg, Thomas, Existentialism, (2011), One World
Publications, Oxford England


  

The Philosopher is 

Here in spirit.